Wednesday, February 23, 2011

Everett Shinn


Everett Shinn (1876-1953), a part from the Ashcan school, he was the youngest member of the band of modernist painters who explored the depiction of true to life. He's most famous for his numerous paintings realistic of recent York and also the theater and also various areas of luxury and modern life inspired by his home in New York City. He painted theater scenes from London, Paris and Ny. He found fascination with the urban spectacle of life, drawing parallels between your theater and crowded seats and life. Unlike an artist like Degas, Shinn depicted interaction involving the audience and performer.

George Benjamin Luks

George B. Luks (1866-1933), was an Ashcan school artist whom lived
around the Lower East Side of Manhattan. In Luks’ painting techniques, Hester Street (1905), he shows children being entertained by way of a man with a toy while a lady and shopkeeper have a conversation in the shadows. The viewer is probably the crowd instead of above it. Luks puts an optimistic spin on the Lower East Side by showing two girls dancing within the Spielers, which is a form of dance that working glass immigrants would take part in; in spite of the poverty, children dance about the street. He actively seeks the joy and sweetness in the life of the poor instead of the tragedy.

William Glackens


William Glackens (1870-1938), painted your neighborhood surrounding his studio in Washington Square Park. Instead of using strangers Glackens got his friends to pose within their finest clothes as café goers and shoppers. His work relates to Manet in that they both convey the glitter, fashion, spectacle and isolation of urban nightlife. In The Shoppers, Glackens depicts consumerism that has been a rising activity for ladies inside their lives as urban dwellers.

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